Isabel Coixet’s latest film, “Three Goodbyes,” has garnered attention for its poignant storytelling and strong performances, particularly from lead actress Alba Rohrwacher. The drama, adapted from the autobiographical novel by the late Sardinian author Michela Murgia, who passed away from cancer in 2023, explores the complexities of relationships amid a life-altering diagnosis.
The film premiered at the Toronto Film Festival and is set to continue its festival circuit in Tallinn, following its Italian release in October 2023. It is expected to reach French theatres in February 2026, with its heartfelt themes resonating with international audiences.
A central narrative thread of “Three Goodbyes” involves the relationship between Marta, portrayed by Rohrwacher, and her husband Antonio, played by Elio Germano. The couple’s seemingly trivial argument serves as the catalyst for their emotional unraveling, destabilizing their seven-year marriage. Rohrwacher embodies Marta as a reserved and melancholic character, whose insecurities become apparent as she struggles to step outside her comfort zone.
Agostino, a colleague portrayed by Francesco Carril, harbors feelings for Marta but remains passive throughout the film. This adds an additional layer of complexity to the narrative, as Marta navigates her relationships with both her husband and her colleague. In a unique twist, she finds solace in a cardboard cut-out of a fictional K-Pop star named Jirko, a device that, while effective in the novel, feels less impactful on screen.
The film excels in its nuanced portrayal of interpersonal dynamics. It not only focuses on Marta but also delves into Antonio’s struggles as he copes with their separation and attempts to resolve his issues through another relationship with his employee, Silvia, played by Galatea Bellugi. Additionally, Marta’s sister, Elisa, portrayed by Silvia D’Amico, adds another dimension to the family dynamics with her self-absorbed behavior.
Coixet takes a deliberate approach in establishing these relationships, allowing viewers to connect with the characters before the narrative takes a dramatic turn. It is only after the first hour that Marta’s loss of appetite leads to a visit to a sympathetic gastroenterologist, played by Sarita Choudhury, where she receives the life-altering cancer diagnosis. Rather than succumbing to despair, Marta experiences a sense of liberation, prompting her to make meaningful changes in her life.
Alba Rohrwacher’s performance is a standout aspect of the film, skillfully balancing vulnerability and strength beneath a calm exterior. Coixet’s direction complements this by conveying a “seize the day” message with subtlety rather than overt dramatization.
Rome serves as a backdrop not of tourist landmarks but of the everyday lives of its inhabitants, enhancing the film’s relatability. Cinematographer Guido Michelotti employs soft, warm tones to portray the city, though some scenes bear a resemblance to promotional tourist videos. The score by Alfonso Villalonga occasionally overshadows the performances, yet one poignant scene is beautifully complemented by Nina Simone’s rendition of “I Get Along Without You Very Well,” adding emotional depth to the moment.
“Three Goodbyes” stands out as a touching exploration of love, loss, and the human spirit, bolstered by strong performances and a thoughtful script. The film is poised to attract discerning viewers worldwide, offering a universal message that resonates across cultures.
