Cecilia Giménez, the Spanish artist known for her controversial restoration of a Jesus fresco that became a global sensation, has passed away at the age of 94. Her botched attempt to restore the historic painting at the Sanctuary of Mercy Church in Borja, Spain, in 2012 led to the creation of the now infamous “Monkey Jesus.” The news of her death was confirmed by the mayor of Borja, Eduardo Arilla, who described her as a passionate painter and a beloved figure in the community.
The fresco, originally painted by Elias Garcia Martinez in the late 19th century, had suffered significant damage over the years. In a misguided effort to restore it, Giménez took matters into her own hands, resulting in a transformation that turned Jesus into a figure resembling a “hairy monkey.” Despite her good intentions, the outcome sparked a wave of laughter and ridicule worldwide.
A Local Heroine’s Legacy
Giménez’s restoration attempt was not only a source of humor but also became a significant tourist attraction for Borja. After the painting went viral, the small town experienced an eight-fold increase in visitors within a year. According to local sources, the influx of tourists in 2013 helped raise €50,000 for charity. Giménez later showcased her own artwork in a successful exhibition featuring 28 original pieces, further cementing her place in the local arts scene.
The mayor reflected on her character, stating, “She was a strong woman and a selfless, deeply fighting mother.” Giménez faced numerous challenges in her life, demonstrating resilience and dedication, particularly to her community and the church. The Ecce Homo fresco, while deemed unsalvageable by cultural officials, holds a sentimental value to local residents.
While Giménez may be best remembered for her infamous restoration, her legacy extends beyond the laughter it generated. The church continues to attract between 15,000 and 20,000 visitors annually, drawn by curiosity about the “Monkey Jesus.” This unexpected turn of events transformed a local church into a cultural landmark.
The Aftermath of ‘Monkey Jesus’
Giménez’s story is not the only instance of restoration gone awry in Spain. In a similar incident that occurred six years later, a local priest commissioned a schoolteacher to restore a priceless 16th-century statue of St. George. The result, which horrified locals, echoed the sentiments of Giménez’s restoration, highlighting the challenges and risks associated with amateur art conservation.
The tale of Cecilia Giménez serves as a reminder of the delicate balance between preservation and personal intervention in the realm of art. While her efforts may have sparked ridicule, they also brought joy and a sense of community to Borja, proving that even the most flawed endeavors can lead to unexpected blessings.
