UPDATE: Production has officially commenced in Winnipeg, Manitoba, on the highly anticipated psychological horror film ‘Ancestral Beasts’, directed by Tim Riedel. This urgent development follows its successful proof of concept showcased at this year’s Frontières programme during the Cannes market. Mongrel Media has just announced their involvement in Canadian distribution, enhancing the film’s reach across the country.
Joining the previously announced cast members including Morgan Holmstrom, Darla Contois, and Asivak Koostachin, are new additions such as Gail Maurice, Shannon Baker, Josh Strait, and Jess Salgueiro. The film’s production will extend beyond Winnipeg to include locations in Cook’s Creek and Toronto.
‘Ancestral Beasts’ follows the harrowing journey of Elyse, a Red River Métis woman grappling with severe mental health issues triggered by a toxic relationship with her sister. After a breakdown at work, she retreats to her ancestral home, where a sinister presence forces her to confront deep-rooted intergenerational trauma. The film explores the chilling premise of a mental health disorder manifesting physically, drawing from Riedel’s personal experiences as the son of an Indigenous woman affected by trauma.
The screenplay was meticulously developed in consultation with Elders, Knowledge Keepers, cultural advisors, and Indigenous psychologists. Riedel has also workshopped the project at significant events including the Berlin Film Festival and the 2025 Banff Media World Festival, as part of the Indigenous Screen Summit.
This groundbreaking film is supported by the Indigenous-led production company Michif Koonteur, in collaboration with Kistikan Pictures. Riedel serves as producer alongside Fawnda Neckoway, with executive producers including Tina Keeper, Phyllis Laing, and Edmon Rotea.
Mongrel Media will oversee both theatrical and digital distribution in Canada, while Dubai-based sales company Cercamon’s genre label Vorteks will manage international sales. The project has garnered support from notable organizations including Telefilm Canada, the Indigenous Screen Office, Crave, APTN, CBC Films, and various Arts Councils across Canada.
As production unfolds, audiences eagerly await how Riedel’s compelling narrative will address crucial themes of mental health and Indigenous identity. This film promises to be an essential addition to the horror genre, shedding light on profound cultural and personal issues. Follow for the latest updates on this significant project as it develops.
