The acclaimed thriller Mother, directed by Bong Joon Ho, has garnered significant attention and praise, achieving a remarkable 96% score on Rotten Tomatoes. Released in 2009, the film tells the gripping story of a middle-aged widow, portrayed by Kim Hye-ja, who fiercely protects her 27-year-old son, played by Won-bin. Set in a small town in South Korea, the plot intensifies when her son is wrongfully accused of murdering a local girl, prompting her to embark on a quest to uncover the truth.
Bong Joon Ho, who gained international fame for his 2019 Academy Award-winning film Parasite, infuses Mother with his signature style, combining elements of surrealism and violence with a deep exploration of social issues. Critics and audiences alike have hailed the film as a masterful piece of cinema, with many noting its emotional depth and unexpected twists.
Fans have taken to Rotten Tomatoes to express their admiration. One viewer described it as “another Bong Joon-ho masterpiece,” highlighting its simplicity on the surface while being rich in hidden layers. They noted, “As always, Bong weaves in brilliantly subtle social commentary, exploring love, intimacy, justice, and truth.” Another review emphasized the film’s captivating pace and the protagonist’s portrayal of the mother, which they found to be a “masterstroke” of performance.
The film has not only impressed critics but has also resonated with general audiences, who have given it an 89% score on the platform. The emotional performances and intricate storytelling have kept viewers engaged throughout the film’s runtime. However, it is important to note that Mother carries a 15 certificate due to strong language, themes of sex and violence, and references to suicide, which may not be suitable for all audiences.
For those interested in viewing this critically acclaimed thriller, Mother is currently available for purchase or rental on Amazon Prime and can also be rented via Curzon. With its gripping narrative and powerful performances, it stands as a testament to Bong Joon Ho’s talent and vision, solidifying its place in the canon of modern cinema.
