The new musical *Coven*, created by Rebecca Brewer and Daisy Chute, takes a bold approach in reimagining the stories of women accused during the 17th-century Pendle witch trials. Set against the backdrop of historical injustices, the production aims to transform these women from mere footnotes into vibrant characters with compelling narratives. The story unfolds at the Kiln Theatre in London, where the musical runs until January 17, 2024.
In *Coven*, the audience meets a group of Lancashire women, including Frances (portrayed by Shiloh Coke), a church-goer facing accusations from her husband, and Rose (played by Lauryn Redding), who is heavily pregnant. Other key characters include Maggie (Jacinta Whyte), a herbalist, and Nell (Allyson Ava-Brown), a midwife. The drama is ignited by the arrival of Jenet (Gabrielle Brooks), a former child witness who testified against her own family and is now suspected of witchcraft herself.
While the musical touches on significant themes of coercion and the targeting of marginalized women, it struggles to convey the gravity of these issues. The comedic tone and exaggerated characterizations lend a cartoonish quality to the production, often detracting from the intended emotional impact. Critics have noted that the direction by Miranda Cromwell feels disjointed, despite the presence of a strong onstage band and impressive vocal performances.
The narrative attempts to weave multiple storylines, exploring the lives of the women as they navigate their dire circumstances. At one point, the focus shifts to Jenet’s psychological turmoil, creatively represented through a puppet portraying her childhood self. However, the plot soon veers into a series of disjointed scenes, including a birth sequence where characters sing about Mother Earth and a comedic portrayal of historical misogyny, featuring King James I approving the witch hunts.
As the musical progresses, the pacing becomes uneven, shifting from one song to another without fully developing its themes. The abundance of ideas feels overwhelming, transforming what could have been a dynamic exploration of historical injustices into a convoluted narrative.
*Coven* reflects the complexity of its subject matter, yet its execution leaves much to be desired. With its theatrical experimentations and attempts at empowerment, the musical invites audiences to reflect on the past, but ultimately falters in delivering a coherent and engaging experience.
