Nemo, the winner of the 2024 Eurovision Song Contest, has announced plans to return his trophy in protest against Israel’s participation in next year’s competition. The 26-year-old Swiss artist, who triumphed with the song “The Code,” made history as the first openly non-binary musician to win the prestigious event.
In a statement shared on Instagram, Nemo expressed mixed emotions about his victory. “Although I am immensely grateful for the community surrounding this competition and everything this experience has taught me, both as a person and as an artist, today I no longer feel that this trophy belongs on my shelf,” he wrote. His decision reflects a broader sentiment within the artistic community regarding Israel’s involvement in the contest.
Boycotts Emerge Over Israel’s Participation
Nemo’s announcement comes shortly after Iceland became the fifth country to boycott the 2026 Eurovision due to Israel’s inclusion. Earlier this week, Iceland joined Spain, Ireland, Slovenia, and the Netherlands in opting out of the competition. The boycotts are fueled by calls for Israel’s exclusion amid ongoing criticism of its military actions in Gaza.
The backlash against Israel’s participation has sparked intense discussions within the Eurovision community. Many artists and fans are voicing their concerns over the implications of Israel’s involvement, which they believe undermines the core values of the event.
Nemo’s return of the trophy spotlights the increasing intersection of art and activism, as performers grapple with the political ramifications of their platform. His bold stance resonates with a growing number of individuals advocating for change within the music industry and beyond.
The Eurovision Song Contest, known for celebrating diversity and creativity, now faces a significant challenge as it navigates the complexities of international politics. As the 2026 event approaches, the implications of these boycotts and protests will likely shape not only the contest but also the broader conversation about art’s role in social issues.
The outcome of these developments remains to be seen, but Nemo’s actions have undoubtedly added fuel to a contentious debate that continues to unfold within the world of music and beyond.
